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Understanding language and culture through multimodal text analysis

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Dr Neil Johnson Dr Neil Johnson (Team Leader for TESOL) will be giving a talk in the Languages Research Seminar series at 5pm on Tuesday November 22nd 2016 (Forster 301).   In the increasingly globalized and digital context of higher education, with concomitant pressure to internationalize through raised proficiency standards and greater intercultural understanding, the dominant skills-based, discreet approach to language teaching may not be optimally effective. In his presentation, entitled "Understanding language and culture through multimodal text analysis", Neil will describe the Literacy-based approach to language education that seeks to address these concerns. This approach was used to re-imagine a course for second year undergraduates at a small private university in Japan, and operationalizes both reading and writing as essentially similar processes of meaning making and design (New London Group, 1996). The course was re-structured so that learners are involved in ite...

Beowulf on film

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Dr. Miguel Gomes (Languages) will be giving a talk about the proliferation of film (sub)versions of the Old English poem Beowulf , particularly in the last twenty years. His talk, entitled 'And this shall be a place of merriment, joy, and fornication': Representing the monstrous other in Beowulf and its cinematic adaptations, explores  how the process of adapting early medieval heroic narratives and the alterity of monstrosities to the medium of film has led to new representations of Evil in popular medievalism. Miguel argues that a process of transformation, caused by modern sensibilities and fantasies about ‘anything medieval’, has produced a number of cinematic adaptations of the Anglo-Saxon poem in which Evil has been sexualized and the hero has been portrayed as undoubtedly guilty. In order to account for these changes, the nature of film as a medium and its multiple social and commercial implications will be considered in detail. Time: Wednesday 16th November ...

PhD student convenes theatre talk

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Culture PhD student Patrick Low  has been asked by Newcastle's Live Theatre to co-convene a panel for a post-performance talk on pseudoscience for their latest play called, Harriet Martineau Dreams of Dancing . The talk is to be given by Dr Ella Dzelzainis, Lecturer in Nineteenth-Century Literature at Newcastle University and co-author of Harriet Martineau: Authorship, Society and Empire (2010). More details about the event, which takes place on 20th November 2016, can be found here .

Seagull City launch event

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The Seagull City project is part of events for the Sunderland City of Culture 2021 bid. It takes people on a journey, literally and metaphorically, exploring the literary and cultural heritage of Sunderland. By focusing on the city centre, river and coastline, this project will encourage people to see Sunderland as a place with a rich history and dynamic future. The title of this project echoes that of the Sunderland 2021 City of Culture bid anthem, ‘Seagulls and the Saints’ . The project has been devised by two School of Culture academics: Professor Angela Smith and Dr David Fallon .  Elephant Tea Rooms, High Street West, Friday 4 November, 6.30 pm . This event is free but must be booked in advance via the University Online Store .

Sunderland Literature and Creative Writing Festival 2016

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Several members of the School of Culture will be taking part in the Sunderland Literature and Creative Writing Festival this autumn. Click on the links below to find out who will be doing what and where. The festival starts on September 30th (the full schedule is here ). Spectral Visions book launch Against the Grayne: Learning about your Reiver ancestry Witchcraft and wizardry in Wearside Northern Gothic: Jane Harvey's The Castle at Tynemouth (1806) Eternity in an hour: William Blake and popular music Gothic Wearside World books to read before you die Apples and Snakes performance poetry Flash Fiction in a flash: how to write it and how to get it published Reading philosophy to lose weight The terrorist novel from Joseph Conrad's The Secret Agent to Hamid Mohsen's The Reluctant Fundamentalist Of Peter and Jemima: An introduction to the extraordinary life of Beatrix Potter 'Not quite a Geordie': The ethnonyms of North East England Wizards, goblins and forbidden l...

Belligerent broadcasting book

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Professor Angela Smith and Dr Michael Higgins (Strathclyde University) have published a book entitled Belligerent Broadcasting: Synthetic Argument in Broadcast Talk (Routledge 2017).  The volume reflects upon and analyses the development of 'belligerent broadcasting', beginning with an exploration of belligerence in its historical context and as an aspect of wider cultural concerns surrounding the retreat of civility.  With attention to the different relations of power expressed in the various forms of belligerent conduct across a range of media genres, Angela and Michael explore its manifestation in political interviews, in 'confrontation' in talk shows, in makeover television, as an 'authentic' means of proffering opinion, and as a form of sociability in banter. The book uses examples from a range of well-known shows such as The Apprentice , Ramsay's Kitchen Nightmares , The Jeremy Kyle Show , and Top Gear to reflect on the consequences and p...

Sincerity, authenticity and broadcast sociability

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At the annual Ross Priory Broadcast Talk Seminar Group (held this year at the Hellenic Army Academy, Athens, Greece) Dr Angela Smith gave a paper on the rise of 'dating shows' on television.  She explored the ways in the conventions of observational documentary have been adapted to engage audiences in a more sympathetic reviewing of participants through her discussion of Channel 4's First Dates .  This show employs a 'diary room' convention from reality TV formats, whilst also engaging in a minimal use of voice-over and absence of the conventional host of such shows.  In this way, Angela argues, we are encouraged to think of the participants as being more authentic and sincere, whilst the hidden formal production markers ensure that there is a perception of a partly mediated, independent reality.  In this way, the audience are not invited to laugh at people in the way the game show format of dating shows encourage, but instead we empathise with them....